![]() ![]() I train them, observe them, monitor them, I make sure they do it right. I have film-school trained girls and boys who speak English, understand film-making and editing, and have spent 3 or more years in a classroom studying it. If you’re looking for ‘copy-paste’ services that attendants do for a nominal budget, then we don’t do that. We also do, if needed, Avid/Premiere Pro project prep on location, basic editing lineup on set And we can provide this service in case you don’t have an account with any sharing service. We also upload for preview to Pix or frame.io or any cloud service of your choice. This, after applying standard LUTs for log footage, jam sync with audio, synced dailies. (means edit-ready files for Avid/Premiere/FCP editing). My teams and I manage fast, secure and verified backups of camera cards to multiple drive backups, make reports, creating dailies from original camera files. I could also figure out from reading their tech specs, what a Netflix or Amazon Prime really wants, what they will demand, what they may overlook, and and what they won’t tolerate. Because films made by happy and healthy people are often good and successful films. ![]() So that your team can work happily and get home on time everyday, take weekends off, and be healthy. I could figure out an ideal workflow based on your shoot schedule, locations, logistics, delivery requirements. ![]() Head over to Divergent Media website for more information.I can provide you advice on camera formats, drives, backup strategies, post systems, workflow. If you already have the previous iteration of the software installed on your Mac, you can upgrade to EditReady 2 for $19.99 or you can get the latest version for $49. I’m sure that many of you would prefer to work with the 10-bit GH5 natively in Premiere Pro CC as you’d normally do with an 8-bit material, but for now, transcoding seems to be the only viable option. Plus, you can run multiple batches within the EditReady interface, allowing you to simultaneously generate proxy media and online material, or convert footage from different cameras. The software supports a wide variety of formats available on cameras like the Canon C300, Sony F5, FS7 (XAVC), Panasonic HDC-TM900 or Sony NX5U (AVCHD), GoPro HERO5, DJI Phantom 4, Panasonic GH5, or Canon 5d Mark IV (MP4) and more. You can output QuickTime movies for Adobe Premiere Pro and Apple Final Cut Pro, FCPX or write DNxHD/HR OPAtom or OP1a MXFs for Avid Media Composer. The app also comes with a neat built-in player that can be utilized to preview your camera original media files before you transcode them. In addition, EditReady 2 allows users to re-size, rotate, re-time, and apply LUTs to their media as well as burn-in timecode, metadata, custom text and even images. The transcoding/rewrapping software is a fantastic tool that can not only handle GH5’s 10-bit files with ease but also can speed up transcoding of your media immensely over time. Until Adobe releases the imminent update of Premiere Pro CC that should permanently fix this incompatibility issue, you can use the latest version of EditReady app as an alternative solution. ![]() If you are predominantly using Premiere Pro CC as your main video editor and you still haven’t found an effective solution to transcode the tedious GH5 10-bit files to be able to edit them natively in your favorite Adobe NLE, seasoned professional Erik Naso has a simple and effective workaround in mind. ![]()
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